Skip to main content

[Review] SUNMI(선미) - Pporappippam(보라빛 밤)



In a year where the K-Pop world is in dire need of some solid title tracks, Sunmi's new comeback single Pporappippam (보라빛 밤) is probably one of the strongest contenders so far in 2020. The reason that I got into K-Pop in the very first place is because of its take on reimagining the retro sounds from the 80s. And Sunmi's new single offers everything that represents the older K-Pop scene that we used to remember: retro, funky, breezy, nonconforming to trends, and most importantly, over-the-top pre-chorus. 

Though the melody of the chorus isn't the strongest material we have heard from Sunmi, the song's strength lies within the repeated hook, "Pporappippam (보라빛 밤)," and the funky guitar that gives just enough drive throughout. The choice of the breezy flute synth is also welcomed, as it reinforces the song's imagery of depicting a midsummer's night. The strings also give off that anime-like vibe, similar to WJSN's "Dreams Come True." 

Pporappippam gives us the perfect preview of the direction that Sunmi is headed towards in the industry, and this is good news, considering that Sunmi took a few detours by releasing YG-esque "LALALAY" and "Gotta Go." But for now, I would put this song on loop until I get tired of it. 


Musicality: 9/10 
Quality: 9/10 
Bias: 8.75/10







Labels:

Comments

Post a Comment

Popular posts from this blog

HEIZE - We Don't Talk Together (Prod. SUGA)  Co-produced by Heize and SUGA, “We don’t talk together” does give me high hopes for this song, and it didn’t disappoint.  The song begins with an organ synth, which I thought was an interesting choice as it forebodes the content of the song - burying an old relationship. Next comes the swing-ish woodblock that immediately propels forward and sets the whole vibe of the song. Moreover, the chorus is just like any Heize typical songs, with airy humming and woos at the background, plus that signature bouncy synth that was commonly used (including her recent winter release “First Sight”).  But it doesn’t mean that this song doesn’t have its weak moments. For instance, its unnecessary trap breakdown which arrives in the middle of the rap session (or verse 2 as I call it) disrupts the flow of the song, and the amount of autotune in the rap conforms to typical rap music. I feel like Heize and SUGA did not need to make that compromise
Post a Comment
Read more

[Review] CHUNGHA - BE YOURSELF

Before the arrival of Chungha’s first full-length album, we are once again blessed by VINCENZO with another bop following “Stay Tonight.” Though “Be Yourself” is essentially an ad for Sprite in Korea, it is able to present itself as a solid candidate for the “summer anthem" in 2020. “Be Yourself” can be messy at some times, but Chungha’s airy vocal pierces through this complex kaleidoscope of sounds. The most enjoyable moment is perhaps the post-chorus, where the influence of the tropical backbone starts to fade and straight-forward pop starts taking over the scene. This particular production choice seems to be quite popular which a tropical drop precedes the actual highlight of the song (similar to WJSN’s "As You Wish"). - The addition of ad-lib brass synth throughout the song is definitely welcomed, especially when the brass becomes more prominent in the bridge section and the last chorus. The texture of the brass synth kinda reminds me of Lady Gaga’s “The Edge of the
Post a Comment
Read more